Deja Viking
The musical approach is a strange beast. Yes, it sounds like Viking metal: strong influence from black metal and folk music, with anthemic songs. But what makes it odd is that the focus is clearly on the vocals. Metal tends to focus on guitars and, to a lesser extent, drums, but only a few (Slough Feg
The focus on vocals is especially strange considering how much is really going on in the music. Besides the usual suspects, there are keyboards, Hammond organ, and digital effects, and every instrument seems to be doing something different all the time. The effect is not chaos, but high drama, a suitable backdrop for the vocals. All of it is cleanly produced, and considering everything that's happening that is a wise choice.
[Apparently the drums are programmed, but they sound more natural than many real drummers do, so I’m not complaining.]
The songs are extremely well-written, full of hooks and varying tempos and rhythms, and tend to alternate between harder and softer sections. ["Polarnatten"] may be the highlight, but other standouts include ["Myren"] and ["Norrskenssyner"]. Seeing as this is basically a solo project, there are bound to be a couple duds, and [the title track, with its Iron Maiden "Dance of Death" piano melody] fits the bill, while closer ["Urvädersfången"] probably won't get much play unless you're listening to the whole album.
I am completely sold on Vintersorg's approach. This is catchy stuff, and it's got drama and progressiveness in spades. [It’s just that it’s not much different from their last album. In fact, this is the same review I wrote last time, but everything I’ve changed is in brackets. The score is, accordingly, half a star lower; the record is just as good, but I already heard it a year ago.]
The Verdict: [3.5] out of 5 stars
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