Say you run across some backwoods boys slitting the throat of an animal at just the right moment to create the proper bucking motion. You might get out of there alive, but only if you hand them a third-generation tape of Slayer's Hell Awaits. Those boys would go on to create something like Blasphemy.
Fallen Angel of Doom is a perfect blend of mindless, bestial aggression, primitive instrumental work, and an instinctive sense of musicality. I'd swear none of these guys have had a music lesson in their lives, but the songs are great anyway. Many of them are just unrelenting aggression with well-timed cymbal crashes or lobotomized Slayer solos as accent. But the best tunes also have breakdowns, and the rhythmic sense of them is unfuckwithable. Your head will be banged by the likes of "Darkness Prevails."
The production is murky, and a little uneven. But other than the over-loud intro and outro synths, I wouldn’t change a thing on this magical bit of backwoods Canadian chemistry. It's no wonder Nuclear War Now is reissuing it.
The Verdict: 4 out of 5 stars