That's it for 2012. I'll see you in the new year.

The Top 12 Albums of 2012

The Best of the Best

I have been fighting with myself over how to do my year-end list in 2012. I considered doing multiple lists in different categories, with a top 25, as last year. I also considered identifying albums as the best of each genre, as the year before. But various things, such as time constraints and a sudden death in the family prevented me from going forward with either of them. But, in addition to that, I think the real quality albums this year have really gone head and shoulders above the rest. A top 12 is not only sufficient, but ideal.

(Please note that an album's place on this list might not necessarily comport with the score I originally gave it.)

So, without further ado, I present you with Full Metal Attorney's Top 12 Albums of 2012.

12. Anaal Nathrakh: Vanitas

Listening to Anaal Nathrakh is always like hearing the gates of hell opened before you, if only a crack. Yet, for all the chaos and intensity, there is still undeniably catchy melody. Most of the time you have to pick one or the other, but not so for this duo. Vanitas finds them experimenting, too, incorporating opera and many other influences into one of the most skull-crushingly fantastic records of the year.

Buy Vanitas

11. Menace Ruine: Alight in Ashes

On Alight in Ashes, Menace Ruine play something that sounds like demonic church music. The hypnotic devil's organ drone and ritualistic, husky female vocals are quite unlike anything I've ever heard before, and after a while, it gets under your skin.

Buy Alight in Ashes

10. Christian Mistress: Possession

Normally, I like my music a bit more experimental and just plain weird. But when a band like Christian Mistress puts forth a record the quality of Possession, I have to put that aside and simply get into their pure heavy metal goodness. The vocals might not be perfect, but they are sung with such passion that it doesn't matter.

Buy Possession

9. Killing Joke: MMXII

I've only really begun to explore Killing Joke in detail, but what I find in MMXII is a perfect blend of anything I've come to expect from their decades-long, storied career. It's post-punk, it's industrial metal, it's 80's synth-pop. It's catchy hooks foretelling of all the reasons our world is soon to come to an end.

Buy MMXII

8. Botanist: III: Doom in Bloom

Many people dismiss Botanist as a gimmick, or simply can't get into this one-man black metal band's completely weird style of music. Drums and hammered dulcimer aren't typically the primary instruments of any kind of metal record, after all. III: Doom in Bloom is slowed-down, matured, and fully explored themes that are as compelling as they are haunting.

TotalRust

7. Diablo Swing Orchestra: Pandora's Piñata

Let it not be said that I don't know how to have fun. Diablo Swing Orchestra is one of my favorite bands, and their unique blend of metal, swing, Latin music, and just about everything else has never been better on display than with Pandora's Piñata. "Fun" doesn't even begin to describe it, and the name couldn't be a more apt description of what you'll hear.

Buy Pandora's Piñata

6. Wildernessking: The Writing of Gods in the Sand

South Africa doesn't often come up when discussing metal, but Wildernessking could single-handedly change that. They sound like all the best that Cascadia, Brooklyn, and Enslaved have to offer to black metal, readily accessible yet with the depth to warrant multiple listens. Do not pass up The Writing of Gods in the Sand.



5. Neurosis: Honor Found in Decay

I'm careful to provide a simple caveat, and that is I'm not terribly familiar with the back catalog of the legendary Neurosis. Even so, I find it hard to believe they've ever been better, even decades into their career. It's heavy, dynamic, subtle, and intricate. Each song is a journey (if you'll excuse the cliche). This is the reason that anyone ever cared about post-metal in the first place, and a reminder that there are still worthwhile paths to be forged in that well-trodden territory.

Buy Honor Found in Decay

4. Deftones: Koi No Yokan

In contrast to Neurosis, I am thoroughly familiar with everything the Deftones have ever done. And I can confidently tell you that Koi No Yokan is the best thing they've released since White Pony. It's like the Deftones of the last decade combined all their pop sensibilities with the lush layering and dynamics of Neurosis, Isis, and other post-metal bands. That's a difficult feat to pull off, but they have.

Buy Koi No Yokan

3. Panopticon: Kentucky

I'm not sure how many others have such a strong love of both dark Appalachian folk music and black metal. But even if we number in the thousands, I doubt any one of them thought they could be combined into something not only coherent, but revelatory. Panopticon's Kentucky may not be completely seamless, but anyone who hears it will readily agree that there is a common thread between the mad rage of black metal and coal miner protest songs that make up this thoroughly entrancing essay on the plight of Kentuckians.

Pagan Flames

2. Wovenhand: The Laughing Stalk

Speaking of dark folk music, there's Wovenhand. I should say up-front that this record holds a very special place in my heart, because it's been getting me through my brother's suicide more than any other piece of art. The Laughing Stalk is just as bleak and delicately arranged as anything else the band has released, but the overall quality of the music is higher from beginning to end, while previous releases tended to save the best for late in the runtime. And there's a lot more distorted electric guitar than ever before. There has never been a better time to get into this band. But then again, it may be my emotions clouding my judgment.

Buy The Laughing Stalk

1. Evoken: Atra Mors

I've been a long-time fan of Evoken, but they have never disappointed. Atra Mors is every bit the equal of any of their previous masterpieces. Crushingly heavy, bleak, and dynamic are not only the three things I look for most in a record, they are the three adjectives that best describe Evoken's most recent masterpiece. Texture, speed, and rhythm each play a part in setting the songs apart from one another and in driving this point home: Life is despair.

Buy Atra Mors

Honorable Mention

At the Graves: Solar
Atriarch: Ritual of Passing
Baroness: Yellow & Green
Eryn Non Dae: Meliora
Hexvessel: No Holier Temple
The Howling Wind: Of Babalon
Scott Kelly / Steve Von Till / Wino: Songs of Townes Van Zandt
Meshuggah: Koloss
Occultation: Three & Seven
Pallbearer: Sorrow and Extinction
Pinkish Black: Pinkish Black
Satanic Bloodspraying: At the Mercy of Satan

Thank You

Thank you to everyone who has made the year at Full Metal Attorney possible. Special thanks to the additional writers, Metallattorney, Patrick, and joanismylover. Thanks also to the label reps, band members, and promo folks who hooked me up with all the new material: Nathan T. Birk of EarsplitPR, Chris Bruni of Profound Lore, Bob from Relapse, Gad Yehezkel of TotalRust, and countless others. Finally, thanks to Islander for plugging the occasional post on the site. I couldn't have done it all without you guys!

The top 12 list is written. I will need a little more time to format it before release. I hope you'll understand the delay.

Life Goes On

I was sitting with my dad last night. Or, early morning on the 22nd . . . when it's hard to sleep, dates get messy. He worried that going to sleep after my brother's funeral meant that life goes on without him. God, I'm crying even now thinking about it. But life does go on without him.

My kids still do new, adorable things every day. So does my niece, in her cute Santa Claus outfit. Will Christmas ever be a time of joy again?

You stupid fuck! Didn't you know how much we love you? Didn't you know how much we care about you? Didn't you know the joy my children felt just from being around you?

Stupid, inane Facebook updates . . . shuffleboard, bands, food. Take a stupid God-damned test to find out your elf name, because nothing important is happening in anyone's life right now.

As much as I hate to say it, needing a tissue right now, can't get my head out of my hands and can't see the stupid fucking computer screen . . . life is going on. Someone has a baby announcement. Hope your baby doesn't commit suicide some day and leave the rest of the family to pick up the pieces. I know that's unfair, but I fucking hurt.

Yes, Aaron, I would love to try your mincemeat pie, no matter how disgusting it sounds. I just want you to come here for Christmas. Why can't you be here for Christmas? God damn it I miss you.

I need a tissue. I must look disgusting.

I've got visitation for my brother later today, then funeral on Saturday. Still working on my end-of-year list, but it should be up probably right after Christmas. Enjoy the holiday!

The Show Must Go On

Despite the shit that has quite suddenly happened in my life, the show must go on here at Full Metal Attorney. I plan to begin my year-end list or lists this week. I also have a treasure trove of other reviews waiting to be formatted and put into a blog post, but will probably save those for the beginning of next year.

Stay tuned.

Aaron

On Saturday, I was lying in bed, slowly waking up to the sounds of my twins making noise in their cribs. The doorbell rang. I got up, quickly put on some clothes, and went outside to find two deputies standing there.

"Do you know Aaron Hoffart, born February 20, 1984?"

"He's my brother."

"He took his own life." There may be more to this statement, but that's all I can remember.

My legs gave out on me. I literally fell down. Yet as I sat there, my mind racing, I couldn't say that I was actually surprised.

He was a happy child. We played with G.I. Joe and Teenage Mutant Ninja Turtles toys together. We saved up our allowances and bought a Sega Genesis, and played Streets of Rage 2 for hours upon hours. We played with Legos, and my son now plays with the Legos that Aaron bought after I felt I had outgrown them.

He was also quite gifted. Not quite as smart as I am, possibly, but then again I am one of the smartest people you could ever meet. (I say that without boasting.) He was more gifted than I in science and math. He became a Walter Scott Scholar at the University of Nebraska, Omaha. He was doing quite well.

Nunslaughter/Abigail: Fucking Satan (2011)

$7.77

Review by Metallattorney. He is the law.

Japan's Abigail and Ohio's Nunslaughter share some things in common, not the least of which is their prolific output of recordings. It was only a matter of time before these two bands, who each manage to put out a dozen new releases every year, paired up. Well here we have it, with the none-too-subtle title Fucking Satan. I am sure we are in for a hell of a ride with this one (pun not intended, but definitely appropriate).

Nunslaughter kicks things off and we are immediately treated to their style of punk-inflected death metal insanity. The first track is actually one of the longer ones Nunslaughter has done, a much more complete song than the usual one quick riff with some Satanic lyrics and done. It actually goes on for a couple of minutes and is one of the better Nunslaughter songs I have heard. The second track is much more typical Nunslaughter and lasts about 30 seconds.

Deep Desolation: Rites of Blasphemy (2012)

Groovy

Groove metal is almost entirely an American phenomenon. Like most American-dominated branches of metal (e.g., glam metal, metalcore), it is largely derided by metal elitists. To be fair, they usually have a point. Even when it’s thoroughly infused with death metal (as with Lamb of God) there is definitely something too polished, too clean-cut, and generally too damn palatable about it.

Leave it to that bastion of metal awesomeness that is Poland to fix that. Deep Desolation’s Rites of Blasphemy quite literally answers the question, “What would groove metal sound like if the album cover was an amateurish drawing of hooded figures with a nude woman sacrifice?” I didn’t even know anyone was asking that question.

Fistula: Northern Aggression / Loser (2012)

I'm Told You Shouldn't Do an Image Search for "Fistula"

Review by Patrick, proprietor of Beards, Etc.

Fistula, a Cleveland-based sludge band, have been around for a little over a decade. In September they released their 6th full-length album, Northern Aggression.

This record is extremely abrasive. If I had to sum up the entire album in one sentence, that would be it. Fistula seem to be one of those bands that goes out of the way to make their music as ugly, raunchy, and offensive to the ears as possible. In most genres, that would be a vicious indictment. But in sludge, it's pretty high praise.

Geist: Der Ungeist (2012)

Israeli Germanophiles

It seems like Israeli doom-specialty label TotalRust is gradually becoming a black metal-specialty label. Der Ungeist, the debut album of one-man Israeli black metal Geist, is just one more step in that evolution.

The prospect of one-man black metal is probably not terribly enticing to very many of you. There are so many things that can go wrong, and usually do. But thankfully, none of that has happened here. Firstly, it actually sounds like a full band playing live. Secondly, it sounds like they were recorded decently. You know, not like it was done in a legitimate studio or anything, but it’s not like it was done with a cassette recorder either. He’s obviously paid attention to each instrument, instead of relegating one to an afterthought. Also, it’s clear he hasn’t fallen in love with his own non-existent legend like so many solo acts, because the music continues to go somewhere and the record ends after 35 minutes. So I’m glad I could allay those fears for you.

Paragon: Force of Destruction (2012)

Take-No-Prisoners Power Metal

This is only the second power metal review on the site this year. You know how much we like power metal in general, but this album is approved by Metallattorney. He is the law.

If I had to think of one genre that Germany is particularly well-known for in the metal world, I would probably have to pick power metal. Not to suggest that other genres are not done well, obviously I am a huge fan of German thrash, but the country really produces a lot of good power metal bands. And not the overly flowery types like Sonata Arctica, real power metal. With groups like Helloween, Blind Guardian, Grave Digger, and Running Wild among others, Germany is definitely a hotbed for power metal.

Paragon is a German power metal band that has apparently been around for more than 20 years but has heretofore escaped my notice. I do not seem to be alone in this respect as a cursory glance at their discography on the Encyclopedia Metallum indicates only one or two reviews for most of their full-length albums. This is the band's first release on a more recognizable label.

Deftones: Koi No Yokan (2012)

Masterpiece 2.0

Since I’ve been listening to the Deftones for such a long time, I feel like I must begin with a small history lesson. If their seventh album is your first experience with the band, you could not make yourself believe the Deftones were--seventeen years ago--considered a lesser alternative to Korn. Korn has since lost all relevance (ironically while making conscious shifts to stay relevant), but the Deftones managed to be perhaps the only nu metal band to garner widespread critical acclaim as well as the acceptance of (at least a large part of) metal’s core audience.

There is a story arc here that has repeated itself. Around the Fur marked the band’s first experiments into carving out their own territory. It was followed by 2000’s White Pony, long considered the band’s masterpiece. They spent a decade struggling to repeat that level of success. 2010’s Diamond Eyes seemed to be a new Around the Fur, exploring industrial metal-cum-Neurosis. Koi No Yokan perfects that formula, becoming the Deftones’ new masterpiece. Yes, it’s at least as good as WP.

Plector: Punishment Day (2012)

End of the Road

Review by Metallattorney. He is the law.

This is apparently it for Plector. According to the promotional information, Plector will be no more after the release of this album. A lack of forward progression apparently led to the decision to end things for this band. So this, their second full-length, will also be their last.

Plector's sound is mostly thrash metal with the occasional death metal influence creeping in at times. The riffs have a lot of bottom end to them and are heavy and muscular. Coupled with the commanding and deep vocals, Plector has a meaty sound with a lot of crunch. This is Swedish thrash metal in the vein of Carnal Forge and early The Crown. It also has a very modern feel to it. This is not retro thrash metal.

Dordeduh: Dar de Duh (2012)

Remember Om?

Review by Patrick, proprietor of Beards, Etc.

Dordeduh are an atmospheric folk/black metal band based out of Romania. Their formation came after a couple members split from Negură Bunget in 2009. This fall they released their first full-length album, Dar de Duh.

This music isn't easy to really pin down. With long, flowing tracks that smoothly shift from mellow to intense, they have a better grasp than most on the proper use of the soft/hard dynamic. And with little splashes of Middle Eastern folk flavor blended into some of the softer sections, in addition to some folk flavor from eastern Europe, there is a nebulous quality to their overall sound.

Metal Briefs: Death Metal 2012

Death before Dishonor

I don't think there's been any lack of death metal coverage on this site as of late, but I personally haven't written many death metal reviews this year. It's still one of my favorite genres, behind only doom metal (and maybe dark Americana these days) and it's not like I haven't listened to much of it. Here are just a few of the new ones I've heard.

Doomsday: Doomsday
(4 out of 5 stars)

Chicago's Doomsday play some seriously crusty death metal on their self-titled debut EP. It sounds more or less like early Acephalix (before they went Swe-death), so if you have Interminable Night then just play "Christ Hole" to decide whether you'll like this one. In other words, death metal that's been hit in the head with a brick and then sandblasted. Doomsday can groove, but they are at their best when going balls-out fast. I love the drums on "Empty Vessel," too. They close it out with the much more punk-oriented "I Kill Everything I Fuck," which, incidentally--probably not a good pick-up line.



Buy Doomsday

Skálmöld: Börn Loka (2012)

Livin' La Vida Loka

Review by Metallattorney. He is the law.

Well with the opening track on this one I was once again a little nervous that I was going to strongly dislike another album from Napalm Records. The first track is extremely cheesy and sounds like the kind of overly-wrought opening anthem that Manowar would put out. But just when I was getting prepared for some ridiculous Manowar-covering-Bathory ludicrousness, the opening of the second track started.

"Sleipnir" kicks things into high gear with a galloping riff and leads into the harsh vocal style. Everything is still kind of upbeat and sunny but at least it is not as over-the-top as the opening intro lead me to believe it would be. Of course then it went all happy and flowery again on the next track. Many of the rest of the songs continue with this more

Gold: Interbellum (2012)

Old-School

It’s been a while since I’ve talked about retro and/or female-fronted metal, so I think I’m due. Gold is a new Dutch band featuring Thomas Sciarone, formerly of The Devil’s Blood. If TBD is your starting point for comparison, this band drops all the folk influence and faux-serious Satanism to go for a more tried-and-true classic sound. Christian Mistress and Royal Thunder are better touchstones.

The band’s debut, Interbellum, consistently hovers in that nether region between hard rock and heavy metal. The songwriting is upbeat, and if you ever complained that metal doesn’t have enough “actual songs” anymore, the hooks on this one (both vocal and instrumental) are sure to satisfy. Vocalist Milena Eva sounds a little like Blondie belting it out in Pat Benatar fashion. She isn’t an excellent singer in a music student sense, but the feeling she puts behind it is much more important anyway.

Varg: Guten Tag (2012)

Windir Meets Dark Tranquillity?

Review by Patrick, proprietor of Beards, Etc.

Varg are a German group who play what I would loosely call either pagan metal or black metal. They have been pretty productive recently, releasing three albums in the past three years. In October they released their fourth full-length record, Guten Tag.

This is kind of an odd record. Its Viking themes and black metal roots, combined with a fairly conservative pace, make it seem like this would be pretty easily defined and understood. But it's not. Most metal in this vein strives for a natural, rugged, ancient feel so as to evoke the windswept north and the exploits of its barbarian subjects. This, though, sounds decidedly and purposefully modern. The upbeat rhythm to the music, the clear and accessible guitar work, and the vocals that seem to drift into melodeath territory with surprising frequency all contribute to this impression. It's not melodic death metal, but it plays like it's trying to bridge the gap between Windir and Dark Tranquillity.

Nails: Obscene Humanity (2012)

Short, Fast, and Furious

Review by Metallattorney. He is the law.

It was with a lot of trepidation that I agreed to take a listen to this release. I was not familiar with Nails before so I had to look them up. What I found concerned me even more. Nails is a hardcore band. I do not care much for hardcore music. Nails is often associated with Converge. I really do not care for Converge. And Nails is on Southern Lord Records. With the exception of Lair of the Minotaur, I have never really cared for that label. But I did agree to give this a shot, and the fact that the release is three songs from an upcoming seven inch, I figured it would not be too painful. I can probably handle ten to fifteen minutes of hardcore.

Yes I can. This is a very impressive release, which is likely made better by the fact that it is so short. I am not sure I could listen to a full album of this, but I can definitely listen to these three songs.

Bell Witch: Longing (2012)

I Wait (for It to End)

I consider myself a huge fan of the slowest kinds of doom metal. I also consider myself a discerning fan. There are those fans of the funeral/drone doom varieties who are not so discerning, and will ascribe genius to just about anything that comes along. Then there are those who don’t get it at all and don’t claim to. I’m not sure what combination of those types conspired to unleash Bell Witch’s debut, Longing. For people who fall into the last camp, this is all you need to know: The record is sixty-seven minutes that are essentially divided into four songs, a six minute interlude with a movie sample, and a three minute outro. Other than the twenty minute opening track, the other three proper songs are about twelve minutes.

For those undaunted by the track lengths, there is a lot of promise to be found in any brief sampling of the music. Here and there, you’ll find melody that’s compelling, or heavy guitars with death growls, and some clean singing that betrays a crushed soul.

God Seed: I Begin (2012)

So You Do at Last

Review by Metallattorney. He is the law.

Any discussion of God Seed will necessarily include some discussion about the band's origins. The album title here is particularly apt because of this. God Seed is made up of King ov Hell and Gaahl, formerly of black metal psychos Gorgoroth. In actuality, these two members attempted to carry forward with the name Gorgoroth after splitting from Infernus. A lengthy court battle ensued with Infernus actually being granted the rights to the name Gorgoroth. In the meantime, God Seed formed for a couple of months and then disbanded when Gaahl retired temporarily. King used the material written for God Seed for a project with Dimmu Borgir's Shagrath which was called Ov Hell. Gaahl eventually returned and God Seed was formed.

God Seed has already released a live album from Wacken and a single. This is the debut full-length however and the first exposure that a lot of people will get to the band. Expectations are certainly high as Gorgoroth has been a stalwart in the Norwegian black metal scene for a very long time.

Give Thanks for Play Count

Last year I shared my guilty pleasures for Thanksgiving. I've decided to go ahead with a similar theme and share some information that may be embarrassing. I've had my iTunes going for something like seven years now, and it saves the play counts for each and every song. This will list the ones that are highest on that list. As a caveat, you should know that some of these have been played many more times on CD or on my first iPod, which would lose all its play information when the batteries ran out (which happened often).

First up is Dream Evil's "The Book of Heavy Metal" with 43 plays. This is a recent addition, but my eldest loves it, so it gets played a lot. After that is mostly a lot of Slipknot, a band that I still love no matter what anyone says about them.

33 plays: Slipknot: "Left Behind," "The Nameless"
30 plays: "One Winged Angel" by Nobuo Uematsu. This is the music from the final boss battle of Final Fantasy VII. As I was playing it the first time (in 1997) I got to this battle and hooked up a nicer stereo to the Playstation, just listening. It's great stuff.
29 plays: "Hurt" by Johnny Cash
28 plays: Down - "Stone the Crow," Godsmack - "Greed" (great stuff you bastard), Living Sacrifice: "Threatened"
27 plays: Deftones - "Change (in the House of Flies)"
26 plays: Mudvayne - "Nothing to Gein" (essentially the sole reason I believed in these guys for so many years), Slipknot - "People=Shit" and "Wait and Bleed"
25 plays: Danzig - "Mother," Godsmack - "I Stand Alone" (which I haven't heard in nearly two years), Mercyful Fate - "Buried Alive," Metallica - "Mercyful Fate," Slipknot - "New Abortion" and "Duality," George Thorogood - "Who Do You Love?" and Tool - "Prison Sex"
24 plays: Corrosion of Conformity - "Clean My Wounds," Korn - "ADIDAS," Led Zeppelin - "Stairway to Heaven," Slipknot - "My Plague," "Everything Ends," "The Heretic Anthem," and "Purity," Black Label Society - "Stillborn," and Rob Zombie - "Iron Head"
23 plays: Johnny Cash - "Folsom Prison Blues," Led Zeppelin - "All My Love," Slipknot - "Spit It Out" and "Circle," Stone Temple Pilots - "Interstate Love Song," and Rob Zombie - "Living Dead Girl"
22 plays: Coal Chamber - "Something Told Me," Deftones - "My Own Summer (Shove It)," Mercyful Fate - "Black Funeral," Meshuggah - "Future Breed Machine," Metallica - "Die, Die My Darling," Monster Magnet - "Space Lord," Slipknot - "The Shape" and "Skin Ticket," Soulfly - "Bleed," Wayne Static - "Not Meant for Me" (from the embarrassingly ridiculous Queen of the Damned soundtrack), and Rob Zombie - "Bring Her Down (to Crippletown)"

That's all. Mock at will, and share yours if you dare.

Bloodbeast: Bloodlust (2012)

Solid

Review by Patrick, proprietor of Beards, Etc.

Bloodbeast are a death metal band from South Africa. They just formed last year, and this spring they released their debut album Bloodlust.

I've noticed that a common problem for metal outfits from out-of-the-way countries is a tendency to stick to the clearly defined standard practices of their chosen sub-genre. I have my theories about why exactly that is, but that's a discussion best left for another time. The important thing is that it's a trait Bloodbeast shares for the most part. In this case, they've largely (though not exclusively) stuck to the Swedish variety of death metal. This is not an inherently bad thing, but it does stick them in bit of a box. There are exceptions to this normalcy (like the bizarre, halting tempos on "Merciless"), but the bulk of the record sounds pretty familiar.

Dark Americana Briefs, Part 2

Acoustic Guitars Can Be Brutal

Do you want some more of that dark Americana? Of course you do.

16 Horsepower: Secret South (2000)
(5 out of 5 stars)

Good Lord, do I love 16 Horsepower. After their incredible debut record (reviewed here) they released more of the same, with only slightly less excellent results. Until Secret South, that is. The record retains everything that made the band great, the proprietary blend of dark Appalachia/country/grunge/punk/etc., but in retrospect it clearly marks a shift for David Eugene Edwards and company. Its focus is more on the sound, less on hook-oriented songs, and it jettisons the occasional upbeat moments of its predecessors. The songs themselves are still each worthy in their own right, though. As a complete experience, they never exceeded it. It's fitting, then, that it would be the band's last record of new original material, and is a perfect segue into Edwards' Wovenhand.



Look, if you're a regular reader of mine and you haven't checked them out yet, get on it right now. Check out "Strawfoot," "Cinder Alley," and the incredible rendition of "Wayfaring Stranger."

Buy Secret South