I'm frantic in your soothing arms
I cannot sleep in this down-filled world
Such is my reaction to Amber Asylum
I'm a little out of my depth to describe precisely what genre this falls into. I'm going to go with dark ambient/psychedelic shoegaze, but call it what you will. For the most part, everything about it is understated. The female vocals (from Lorraine Rath and Jessica Way) are ethereal, wispy fog. If the wind blows through, they'll disintegrate. Aesop Dekker's drumming is gentle and sparse. For long stretches all you may hear is a cymbal building before an abrupt stop, and then nothing for a very long time. Synths and guitars are generally subtle. But that's not all there is to it.
Adding a corpus of substantiality is Rath's trance-inducing bass work. It puts some backbone and heartbeat into something that would otherwise collapse. Way's guitar brings occasional dissonance, psychedelic echoes, odd chords, and even distortion. At times it threatens to turn into metal, but doesn't seem like it's holding back so much as going only as far as needed.
The Verdict: It's beautiful, ethereal, eerie, and haunting. But it's more than just an autumn breeze. It's rooted. Worm Ouroboros made pretty and soft music that I can actually listen to without pulling out the rest of my hair. I give it 3.5 out of 5 stars.
Buy Come the Thaw
"going only as far as needed" I like that. Haven't heard the album yet, But I'm looking forward to it.
ReplyDeleteBig, Big fan of the Worm since I heard them open for Grayceon in San Francisco last year. Even though at the concert the bass was miked so high that it distorted painfully, there was enough there even in a badly sound produced concert to buy their debut disc. Really, really neat stuff...and it is that bass that adds the fascinating element to the music. As much as like this album, their debut is even better from a songwriting standpoint (4 out of 5, or even 4.5!).
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